Sunday, September 2, 2012

What on earth are enzymes?



Certain aspects of winemaking - yeasts, oak-ageing, filtration and fining are pretty clear but what about the use of enzymes? Even the comprehensive Authentic Wine by Jamie Goode and Sam Harrop only contains one paragraph on the subject.

I can’t remember how but I got into a discussion about it on Twitter a couple of weeks back and asked if anyone would volunteer to write a post on them.

Two young winemakers Leah de Felice Renton and Nick Jones who are part of a wine collective called Birds & Bats Wine Productions which makes ‘a series of one-off wines from around the globe’* bravely volunteered. Not being a scientist I have to say I couldn’t make head or tail of their first version so they kindly offered to rewrite it for dumbos like me. Here's their guest post:

"Enzymes exist naturally in wine and are also added to wine.  This subject is of interest because it is something most people don’t know about and it goes into a product we all regularly and happily pour into our bodies.  We are joining the fish fight, we are drinking real ale, and we are reading this natural wine blog because we are more curious than ever about what we are eating and drinking.  We are writing this so you know what we are putting into your wine and into your bodies and why.

Enzymes are like your front door key. There is one key for a particular door, or in the case of enzymes, one chemical reaction it can trigger. That reaction can happen in other ways but using an enzyme speeds it up.

Enzymes can be found everywhere.  They are in your mouth, in the trees, in your washing powder, in your tears, and even in that piece of cheese.  They affect the way you taste that glass of wine and they help you through a hangover in the morning.  Without enzymes we would have almost nothing and more importantly wine would not exist. 

Wine is the consequence of thousands of different enzymes doing their thing to grape juice. These enzyme keys are found naturally in the grape, in yeast and in the bacteria we use in winemaking.  Therefore, in order for us as winemakers to turn grape juice into a specific wine style, we must try to predict and control thousands of these enzymes.  As with much of the natural world we don’t understand it all, but in the last half a century or so, we have been able to establish a good grasp of the subject.

In this post we will spare you the complex, confusing and sometimes yawn-inducing enzymatic pathways of yeast and bacteria.  Instead we will give you an insight into commercial enzyme formulations that winemakers add to the wine you drink.

Commercial enzyme preparations have been added to wine since the 1970’s and have been subject to technological advances since that time.  They are produced from a range of natural, non-G.M.O. fungi using methods that are controlled in Europe by the International Organisation of Vine & Wine. Enzyme formulations aid winemakers by releasing and maintaining red wine colour; releasing and increasing aroma precursors (that the yeast use to give a greater assortment of aromas); improving the clarity and improving mouth feel and roundness of wine. 

There are many practical advantages to be found in the addition of enzymes during the processing of grape juice into wine that makes life easier for the producer and reduces cost to the consumer.  We add enzyme formulations to juice and wine because it allows us to speed up the winemaking process, protect consumers’ health (by avoiding infection of unwanted micro-organisms), release more potential from the grape and ensure the wine does not spoil.  It is in our interest as winemakers to protect our customers and to deliver a quality wine.

Essentially we will be using enzyme additions this year in the production of our own wine.  We cannot afford to spoil thousands of good grapes and we want the best for the person that cracks open the bottle.  This way we can reduce the cost to the consumer and make less of the sinister chemical additions such as the dreaded sulphites.

There is always a down side and it generally occurs in wine when a producer doesn’t understand what they are doing.  If you season a pan with pepper before you add the steak you scorch the pepper.  The result is substandard steak.  If you add the enzyme formulation at the wrong time you are likely to end up with substandard wine.  As with the execution of any quality product, prior preparation and planning prevents piss-poor performance!"


Now I’m not sure how many of the readers of this blog will agree with this. ‘Natural’ winemakers, I imagine, don’t add** (see comments) enzymes which according to Goode and Harrop are also used to boost yields so do pitch in with your views.  I'm happy to give a platform to anyone who wants to state the case against!

* Incidentally Leah and Nick pledge on their website to include 'every last detail of what is contained in the bottle'. I wish more winemakers would do the same. This year they’re working in Maury - you can follow their progress on their blog and on Twitter @WinesofMD (Wines of Momentary Destination - which is what they call their winemaking projects).

Saturday, August 18, 2012

Le Raisin et L'Ange, Fable 2009


This is exactly the sort of red I like to drink in summer - well, to tell the truth most times of the year.

We ordered it on our way back from France when we stopped another night at the Auberge de Chassignolles from which we seem unable to keep away.

It's a sign, I suppose, of how much our tastes have changed that Harry Lester, the proprietor, wasn't sure if we would like it and offered to open another bottle if we didn't. (He said he would drink it himself as it was one of his favourite wines.) But it had that vivid life-enhancing fruit that natural reds - especially Syrah - tend to possess and I loved it. No sulphur though which may mean it varies from bottle to bottle - and Harry decanted it which I suggest you do too.

We drank it with buckwheat pancakes, stuffed with chard and goats cheese, with slow roast lamb shanks and a deconstructed, less-oily-than-usual ratatouille and with a selection of cheeses to which it stood up very well. 

The producer Gilles Azzoni of Mas de la Bégude doesn't seem to have a website but there's a good account of his winemaking philosophy here. He's based in St Maurice d'Ibie in the Ardèche just west of Montélimar. You can buy it in the UK from Gergovie Wines at I'm not sure what price but it shouldn't be too expensive. Just 16€ on the Chassignolles list.

Rating: Amber (see right)

Sunday, August 12, 2012

L'Ami Chenin: a good place to stay in the Loire


Here’s another good place to stay if you’re a natural wine fan - L’Ami Chenin in Saumur which we - or more accurately - my diligent researcher of a husband - chose because it was just down the road from Thierry Germain of Domaine des Roches Neuves who we were visiting the following day*.

It’s an 18th century house built into the rocks up above Saumur (see note on parking below). The proprietor Xavier Amat used to be a winemaker - but now combines his role running a chambres d’hôtes with that of a natural wine merchant. As a result he has a spectacular cellar.

We shared a pet nat rosé with him and his wife, France, then an old bottle of Benoit Courault’s glorious quince-scented Gilbourg Anjou Blanc whose vintage I negligently forgot to note and Noella Morantin’s 2010 Côt à Côt (Malbec) with our fellow (British) guests who, if they were taken aback to drink such off-the-wall wines, were too polite to say so.


Dinner, which you need to reserve and which may not be available if you’re the only guests, is cooked by France and is served outside in the garden if it's fine. The night we were there (July 19th 2012) it consisted of a suitably summery baba ganoush (aubergine purée), fennel, orange and red onion salad, chicken cooked with preserved lemon and couscous, a splendid selection of local cheeses and a simple strawberry dessert - a steal at 25€ (£19.58 at the time of writing)


Our very pleasant large room was 75€ (£58.75) with breakfast included.

A word of warning - the house is reached via a somewhat hairy hairpin bend and has slightly tricky parking. So it might be wise to take it easy on the vino if you go out to eat in Saumur. Oh, and there’s no wifi and not much of a phone signal but they do have an ethernet cable for computers that have a slot for one. (Not mine unfortunately but not everyone is as obsessive as me about needing to be online).

*We arranged that visit ourselves but Xavier can set up visits to winemakers if you need him to

L’Ami Chenin is at 37 rue de Beaulieu, 49400 Saumur and is closed from November 1st to January 31st. Tel: 02 41 38 13 17

Sunday, August 5, 2012

Fête du Vin, Chassignolles - small but perfect



There was music. There was dancing. There were three days of feasting - and of course there was wine - litres of it! The tiny fête du vin the the Auvergne village of Chassignolles two weekends agom masterminded by the owners of the auberge Harry Lester and Ali Johnson, was as good as it gets. The pictures say it all . . .

The eve of fête feast with the winemakers and helpers. Centrepiece - roast lamb with spelt.




The lunch menu at the fête - note the franglais translation of hot dogs. The tripe was ladled out of a giant cauldron (below). Enjoyed less by me, I must confess, than one local habitué on the terrace.



The resident artist . . .


1368 Cerro las Monjas from Spanish natural wine producer Barranco Oscuro



Photographer Jason Lowe enjoying a swig


René Mosse


Another natural winemaker - can't recall who. The slogan on his T-shirt reads "After midnight I'll be different."


The musicians tuning up.


The evening's feast for 200. A fantastic five course meal of paté, soup, grilled beef and gratin dauphinois, cheese and chocolate tart.




Lunch the next day. (Alain Castex of the wonderful Casot de Maiolles standing). Another 5 courser: scrambled eggs with girolles, pea and broad bean soup, roast chicken with purée, cheese and apricot tart. All for 25€.





And finally the lovely fête posters.


If this hasn't sated your appetite for photos of the event you'll find more on my Flickr stream here and more pictures of the Auberge and the surrounding countryside here.

Thursday, August 2, 2012

How do natural wines last so long once you open them?


Last night we got back to France and shared the remains of a bottle of Mas Coutelou’s Le Vin Des Amis 2011* we’d left in the fridge a week before. It was delicious - as good as the night we’d opened it.

It’s not the first experience I’ve had of that recently. Thierry Germain told us that the Terres Chaudes we tasted the other week had been open for 8 days. And some wines even taste better the second day than they do when they're first opened. So what’s going on?

In my experience that doesn’t happen with conventional wines - certainly not at this price. Often I’ve had some bottles hanging around from a tasting and tried them the following day with food and they’ve just fallen apart.

The most obvious explanation is that these are ‘living’ wines or vins vivants as the French put it. Because there is very little, if any, sulphur in them, because they’re not fined or filtered  bacteriological activity is still taking place (precisely what those opposed to natural wines disapprove of).

Wines that are clearly heat-treated (see previous post on soupy reds) by contrast or which are made with aromatic yeasts seem to fall apart very quickly. The producers and retailers who sell them probably assume - quite rightly - that most people will drink them in an evening well before they get to that stage but with the greater awareness of alcohol intake at the moment I’m not sure that’s necessarily the case - certainly in households of two like ours.

The yeast aspect is interesting. The wines I’m referring to - indeed almost all natural wines - are made with wild yeasts and therefore presumably don’t need the enzymes required to make commercial yeasts do their job. Sourdough bread also lasts a great deal longer than bread made with commercial yeast. So maybe that’s it?

Or is it the tannins - both the wines concerned were red? Or the fact our wine had been kept in the fridge which I imagine must have helped?

Winemakers, what do you think?

* a blend of Grenache, Syrah, Cinsault and Mourvèdre

Tuesday, July 31, 2012

Why Noma serves natural wine

As if natural wine needed a boost right now along comes this interview on eater.com with Noma's wine director Pontus Elofsson on why Noma has turned its back on Bordeaux and is serving natural wines, mainly from Austria, Germany, Champagne, Burgundy and the Loire.

He's quoted as saying "Around 2006 I started to realize the wines with the least amount of intervention, chemicals, and techniques involved had an energy and focus that many of the conventional wines did not. I also started to realize that the wilder the wine, the better it paired with René's food."

Bordeaux, he says does not and is, in Elofsson's view, "probably the biggest chemical factory in Europe."

Whoa - stirring stuff! Read the rest of the interview here.

And download the wine list here.

Sunday, July 29, 2012

Thierry Germain of Domaine des Roches Neuves: taking his wines to new heights



It was pouring the day we visited Thierry Germain of Domaine des Roches Neuves in the Loire the week before last. Absolutely tipping down. And it was a leaf day so the fact his wines tasted so great was an enormous tribute to his skill. I’ve tasted them many times before and always been rather more impressed with their vigour than their finesse but this time they were quite magical.

2011 was a great vintage, admittedly ‘with zero botrytis in both the whites and the reds’ according to Germain. “The grapes were mature before the heat of September. We finished our harvest by the 15th. Many producers didn’t start till the 18th.”

The estate, which Germain took over in 1991, has been run biodynamically since 2000 and the effects are only now beginning to kick in, he says.’It takes 10 years for the full effect to show. We began to see big changes in 2008/9.’


Germain, whose family have been winemakers for several generations according to this excellent post by 'wine doctor' Chris Kissack, has also changed his style. “I don’t want over-ripeness. I make my wine how I eat my fruit - I want to be able to crunch into the grapes  The stuff about the maturity of the pips, that they should be brown is rubbish. Over-ripeness is black and dead."

He admits that at one stage he was over-extracting. “There was always one remontage or pigeage too many. Now I macerate for 10 days when previously I would have done it  for 30. Before I was all theory - now it’s about practice."

He gets the structure he’s looking for from using more whole bunches which also have the effect of giving the reds a beguilingly stalky freshness.

He’s also looking to bring down the levels of alcohol in his wines. “The 2011 vintage of Marginale, for example - still in barrel - is 12.7%. Previously it was 14.2%. Franc de Pied [the wine he makes on ungrafted rootstocks] is ripe at 11.8%. My grandfather said a great cabernet [franc] is ripe at 11.5%.”


Otherwise he subscribes to all the cherished tenets of the natural wine movement - tisanes and biodynamic treatments, low yields, horses in the vineyard (increasingly all his new plantings are worked with horses), natural yeasts and ungrafted rootstocks. He feels particularly strongly about the last two. “I am against vignerons who cultivate their own yeasts. Each year brings a different selection and that marks the vintage.” And rootstocks? “If you graft you are putting a filter between the roots and the vine.”

He’s not religious about sulphur but uses very little. “Hardly ever more than 2g and never before malo. “To say you use no sulphur is a con. I don’t go to zero but the more sulphur you put in the more you lose the life of a wine. If you get it right in the vineyard you don’t need sulphur. A living wine doesn’t oxidise - that wine (the 2011 Terres Chaudes we tasted below) has been open for 8 days.”

Not that he’s averse to innovation when it can help preserve the purity of his wines. His bottling line he says is a sterile, germ free area to avoid last minute contamination. All bottles filled sous vide (under a vacuum).

The project that excites him most at the moment, however, is creating a ‘conservatoire de Cabernet’, a collection of 220 vines from old vineyards out of which he’ll aim to pick about 60 through  selection massale (producing cuttings from selected vines rather than clonal material from a nursery). Again harking back to an earlier period when a typical vineyard would contain 45/50 different clones. “It’s essential if you’re working on own rootstocks” he says, simply. “It’s important to preserve variety because one clone can get diseased.” A bequest to leave for future generations.

We tasted the latest vintages and wines from barrel. All the reds are classified as Saumur-Champigny

Terres Chaudes 2011
A good place to start with Germain’s wines. A great expression of Cabernet Franc (40% whole bunches this year), appealingly mineral, earthy with wonderfully pure, singing fruit. “as seductive as the swish of a silken kimono” according to the inimitable Doug Wregg of importers Les Caves de Pyrène. (Not yet available in the UK. Caves de Pyrène has the 2010 for £16.80* )

La Marginale 2009
A famously hot vintage so he picked early (16-20 September). Quite funky on the nose but opened up beautifully in the glass (could, I imagine, benefit from decanting) Structured and spicy. Very low yielding vines - 25hl per ha. 40% whole bunches. Far more structured than the Terres Chaudes showing Germain’s Bordeaux roots. Perhaps the only one of his wines that borders on amber under my scoring system (right)  (£26 CdeP)

Marginale 2010 (from barrel)
90% whole bunches. 1g of sulphur. More substantial and structured with dark wild berry/loganberry fruit. Aged 50% in large oak casks, 50% in 2 or 3  y.o. barrels. Needs time, obviously. He is drinking the 2006s now - his view is that the 2008s are still closed

Franc de Pied 2010
Hard to decide whether it’s because we were aware it was made from ungrafted vines but it does seem to have an extra dimension. A profound, complex, savoury wine - Germain thinks the extra bunches he added in this vintage (he uses 100% in this cuvée) add tannin and structure. One to age as you can see from the notes on the 2008 (below) (Caves de Pyrène has the 2009 which we didn't taste at £28.50)

Franc de Pied 2008
Only 500 bottles were made of this so we were very lucky to get a taste. Very ripe, opulent with an extraordinay aroma of red roses and peonies. But savoury too, not jammy at all. Good, he says, with veal or pork chops or other fatty meats - but not with sauce. Shows the value of hanging on to this cuvée - if you’re fortunate enough to get your hands on some. (Also picked out by my husband, Trevor, as one of his star wines at the Real Wine Fair)

Franc de Pied 2011 (barrel)
Like the other 2011s the fruit is sumptous, and - despite the fact that the tannins are still unintegrated - just the most incredibly exciting Saumur-Champigny I’ve tasted. Alain Passard pairs Franc de Pied with beetroot baked in Fleur de Sel and raw radishes, appreciating the finesse behind the power


Les Ecotards Saumur Blanc 2010
Not one of Germain’s own wines but one of his protegés Michel Chevré - he encourages the people who work with him to buy their own vines (how often do you find a winemaker showing a journalist the wines of a potential rival?) A bright crisp white with lovely pure apple and pear fruit and a touch of greengage. Ideal, he says with sushi or seared scallops with yuzu

L’Insolite Saumur Blanc 2011
Superb, light yet lush, peachy Chenin from a sélection massale vineyard of 90 y.o. vines. Aged in large foudres. Brilliant natural acidity - obviously the best is yet to come. Try, says one supplier, Joseph Barnes, with with asparagus with tarragon butter, grilled perch with fennel or sauteed sea bass fillets served with a light wasabi cream sauce. Right then! (£16.80 CdeP)


Clos Romans Saumur Blanc 2011
Another very limited bottling (533 bottles in total) from a ‘magic’ place according to Germain. Heady scented nose of mandarin and peach. So exquisite it should be sipped on its own - even France’s 3 star chefs are on strict allocation. My OH’s remark that it was like a great German riesling went down well. “I have looked for this balance for a long time” beamed Germain.

Vintages Germain thinks best for the Loire - 2006, 2008, 2010 and 2011. Less typical 2003, 2005, 2009

Thierry Germain’s wines are imported by Les Caves de Pyrène and available from their Guildford shop and by mail order. As importers they obviously have the widest selection at the best prices. Other retailers tend to charge a pound or two more and may be on older vintages - on the other hand it may suit you to buy a single bottle. If you think Germain's wines are on the expensive side - they are - it reflects the care he takes in the vineyard and throughout the whole winemaking process and may make the difference between a drinkable vintage in this intensely difficult year of 2012 or a dud one. According to one (rather envious) winemaker I spoke to he's spent a huge amount sending people out into the vineyards to cut back excessive growth among the vines as a result of the unseasonally wet weather.

By the way Germain has a charmingly illustrated booklet about his domaine and winemaking philosophy which I guess he'd probably send you if you emailed him.